B.JEYAMOHAN

Jeyamohan (also credited as Jayamohan; born 22 April 1962) is a Tamil and Malayalam writer and literary critic from Nagercoil in Kanyakumari District in the south Indian state of Tamil Nadu. His best-known and most critically acclaimed work is Vishnupuram, a fantasy set as a quest through various schools of Indian philosophy and mythology. In 2014 he started his most ambitious work Venmurasu, a modern renarration of the epic Mahabharata. His other well-known novels include Rubber, Pin Thodarum Nizhalin Kural, Kanyakumari, Kaadu, Pani Manidhan, Eazhaam Ulagam and Kotravai. The early major influences in his life have been the humanitarian thinkers Leo Tolstoy and Mohandas Karamchand Gandhi. Drawing on the strength of his life experiences and extensive travel around India, Jeyamohan is able to re-examine and interpret the essence of India's rich literary and classical traditions.

In 1987, the journal Kollippaavai published his poem Kaidhi (The Prisoner). In the same year, Nadhi (The River) was published in Kanaiyazhi with a critical mention from writer Ashoka Mitran. The journal Nigazh published Bodhi, followed by Padugai ('The Riverbed'). Critics heaped praise on Padugai for its evocative narrative that wove together myths and contemporary visuals. Jeyamohan wrote his first full-fledged novel Rubber in 1988 and then re-edited and published it in 1990.

The novel won the Akilan Memorial prize for its path-breaking portrayal of the ecological and sociological impact of rubber cultivation in the South Indian states of Kerala and Tamil Nadu. Jeyamohan's speech at the awards function was well received, and he further developed those ideas in Novel (1990), an exploration of the art form and its ideologies, and Naveena Thamizhilakkiya Arimugam, a comprehensive introduction to modernist Tamil literature.

In 1993, Jeyamohan met Guru Nitya Chaitanya Yati which proved to be a turning point in his spiritual journey. The dialogues with the Guru opened new views into the body of Indian thought, which culminated in his acclaimed work Vishnupuram in 1997.

Jeyamohan travelled and witnessed first-hand regional issues, droughts and political problems that underlay issues like Naxalism in tribal areas. His experiences convinced him of the continuing relevance of Gandhian idealism and non-violence as the sensible alternative to naked capitalism and militant socialism. The leftist in him had been saddened by the collapse of the Soviet Union in 1991, and a decade long introspection on the nature of power and self-righteousness found expression in Pin Thodarum Nizhalin Kural in 1999.

Post-2000, Jeyamohan broke new ground with Kaadu (2003), an exploration of the forest landscape as a metaphor for lust and the vigour of life. Kotravai (2005), the renarration of the Kannagi epic, was deemed by the writer and critics as his best yet in terms of structure and depth.

From 1998 to 2004, Jeyamohan and his friends edited a literary journal named Solputhithu. In 2009, his readership circle created the 'Vishnupuram Ilakkiya Vattam' to broaden the readership for serious literature in Tamil Nadu and to reward under-recognized pioneers of Tamil literature.

When he turned 50, Jeyamohan wrote a set of short-stories, titled 'Aram', that explored the values and idealism that is possible in man. In 2014, Jeyamohan began writing Venmurasu, a re-narration of the Indian epic Mahabharata.

In parallel, Jeyamohan has produced a prolific output as one of the foremost Literary critics and theorists of modern Indian literature with focus on Tamil. His 30 volumes on criticism and anthologies have earned him a respectable place among critics like Vedasagayakumar.

In 2013, he was considered as Tamil Author of the year by National Library, Singapore. In 2016, he worked as Writer in residence for 2 months in Singapore, organized by National Arts Council (Singapore) and National Institute of Education.